Snail Mail - Valentine 2021 [FLAC/24bit/96kHz]

封面:

简介:
ABOUT THE ALBUM
1 disc(s) - 10 track(s)
Total length: 00:31:33
Main artist: Snail Mail
Composer: Various Composers
Label: Matador
Genre: Pop/Rock Rock Alternative & Indie
logo Hi-Res
24-Bit 96.0 kHz - Stereo
2021 Matador Records 2021 Matador Records


专辑介绍：
美国创作女歌手Snail Mail继首专《Lush》之后备受期待的第二张录音室专辑《Valentine》正式发行，Pitchfork 8.5分本周最佳专辑，各大乐评高口碑肯定！“作为一名浪漫主义者，Lindsey Jordan通过这张专辑记录了各个阶段里的爱情，但这些情感大多处于年久失修的荒废状态。”

Lindsey Jordan—the 22-year-old NYC-by-way-of-Maryland singer-songwriter who looks like she's still in high school and goes by Snail Mail—has lived a lot since her 2018 debut, Lush. You can hear it all over Valentine, her second album, which is full of references to heartbreak, losing herself, a stint in rehab and a quest to change. Her wonderfully raw (no American Idol perfection and show-off runs here) voice still sounds girlish, but with a new hoarse quality. The album's stylized cover art, with a besuited Jordan posing defiantly, even hints at the more grown-up direction this time around. "Valentine" starts off kind of free-floating and loose, pouring like honey, before the chorus kicks in: "So why'd you wanna erase me, darling Valentine?" This is the new emo, as big and bold as anything by My Chemical Romance or Paramore but lashed with a 2021 world-weariness and a straightforward queer sensibility. Waxahatchee's Katie Crutchfield, in guest-writing the bio for the album, nailed it: "Valentine is somehow a jolt and a lovebuzz all at once." Against clicky drums, Jordan reveals the desire to anesthetize boredom that landed her in rehab. "On two, feels like spring/ All on my own, guess the shit just makes you boring/ Got money, don't care about sex," she sings. "Sometimes I hate her just for not being you." In fact, Jordan told Pitchfork that success forced her to grow up and reassess, lest she end up another music business tragedy. "After Lush came out, I was driving myself crazy going to every single social thing," she said. "I was like a baby in an adult job." If it sounds a bit like the story behind Julien Baker's last album, the comparisons don't end there. Like Baker, Jordan wrestles with religious guilt and compulsions on the galloping "Madonna," and that new hoarseness makes the two sound even more similar than before (it's a compliment).You can also hear traces of Soccer Mommy's breathy dreaminess in "Headlock," in which Jordan lets herself imagine how wrong things could've gone if she hadn't gotten help: "Thought I'd see her when I died/ Filled the bath up with warm water/ Nothing on the other side." "Glory" feels like punchy '90s indie pop, and the sweet and quiet acoustic ballad "c. et al." is so intimate you can hear fingers slipping on the strings as Jordan unveils a surprisingly bluesy side. "Forever (Sailing)" has a lovely cafe-jazz touch; the snare splashes like a wave gently hitting the side of a yacht, while horns play as bright as the afternoon sun. Jordan has said she grew up influenced by the male-dominated Warped Tour bands of the 2000s, and she brings things full-circle with "Mia," a grand romantic gesture ballad in the vein of "Hey There, Delilah," that feels at once fresh and timeless. © Shelly Ridenour/Qobuz

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曲目:

01 - Valentine
02 - Ben Franklin
03 - Headlock
04 - Light Blue
05 - Forever (Sailing)
06 - Madonna
07 - c. et al.
08 - Glory
09 - Automate
10 - Mia
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