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Agnes Obel's pristine, delicate 2010 debut, Philharmonics, was an unexpected platinum-selling sensation in her home country of Denmark, and a hit throughout Europe. The sudden fame left her reeling, and on Aventine, the classically trained pianist/singer has tried to make sense of things. Accompanied mainly by a single cellist, she has created a quiet, watchful record – a response to having spent 18 months in "a blur" of touring. The lyrics are impressionistic sketches (on Fuel to Fire, she sighs: "Roses on parade, they follow you round"), suggesting she saved the real firepower for the exquisite arrangements: sculpting strings and piano into beautifully melancholy ripples. Like Ane Brun and Seventh Tree-era Alison Goldfrapp, Obel is exceedingly good at conveying weariness and disorientation through sound: Run Cried the Crawling's pizzicato-plucked cello and otherworldly violin-swoops evoke the desolation of being awake at 3am, as do The Curse's precise droplets of strings and vocals. A wonderful autumn album.
DISC 1:
1. Chord Left
2. Fuel to Fire
3. Dorian
4. Aventine
5. Run Cried the Crawling
6. Tokka
7. The Curse
8. Pass Them By
9. Words Are Dead
10. Fivefold
11. Smoke & Mirrors
DISC 2 :
01. Under Giant Trees
02. Arches
03. September Song
04. Run Cried the Crawling(Live)
05. Chord Left(Live)
06. Fuel to Fire(Live)
07. Aventine(Live)
08. Words Are Dead(Live)
09. The Curse(Live)
10. Dorian (Daniel Matz Rework)
11. Fuel to Fire(David Lynch Remix)
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