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Piano solo
16 Tracks
01h 06m 09s
Since the first composers started calling their works things like "nocturnes" or "serenades", there
has been music designed specifically to evoke the dusk or the night. And then from the romantic period
onward, the night began to become associated with worry, or even terror. Schumann's Phantasiestücke (1837)
contain at least one nocturne movement in which the night is presented in a terroristic light (so to speak).
In der Nacht, one of the great Schumannian moments, is concentrated into scarcely four minutes. Seventy years
later, Ravel took the fear even further with Le Gibet, the central movement of Gaspard de la nuit – even more
night – which tells of the gibbet where the hanged men twist gently to the sound of the night chimes; while Scarbo
closes the triptych on the image of a nightmare dwarf. Finally, while Out of Doors by Bartók isn't necessarily all
set at night, the fourth movement, The Night's Music, remains one of the most unsettling moments in all of piano literature.
Born in Budapest in 1968, Dénes Várjon studied with György Kurtág and András Schiff. The winner of Liszt prizes as well as of
Budapest's Géza Anda and Leo Weiner competitions, he has performed at the festivals of Salzburg, Lucerne, Davos and with the Vienna
Chamber Orchestra, the Zürich Tonhalle, the Academy of St. Martin-in-the-Fields, and the Kremerata Baltica.
曲目:
1. 1. Des Abends
2. 2. Aufschwung
3. 3. Warum-
4. 4. Grillen
5. 5. In der Nacht
6. 6. Fabel
7. 7. Traumes Wirren
8. 8. Ende vom Lied
9. 1. Ondine
10. 2. Le Gibet
11. 3. Scarbo
12. 1. Mit Trommeln und Pfeifen
13. 2. Barcarolla
14. 3. Musettes
15. 4. Klänge der Nacht
16. 5. Hetzjagd
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